<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4672244762035249594</id><updated>2012-02-16T11:31:50.160-08:00</updated><title type='text'>Andrew Hoeppner</title><subtitle type='html'>Ceramic Artist</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://heppypots.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4672244762035249594/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://heppypots.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Hep</name><uri>http://www.blogger.com/profile/00707246814637137002</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://3.bp.blogspot.com/_Glb8U-i7x28/STTWsTlnE3I/AAAAAAAAAAM/NAvWwNXjEjg/S220/Good+times+007.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4672244762035249594.post-1251211126053573654</id><published>2011-05-09T21:45:00.000-07:00</published><updated>2011-12-12T17:24:39.589-08:00</updated><title type='text'>Artist Statement</title><content type='html'>&lt;div class="MsoNormal" style="line-height: 200%; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 5.0in; text-autospace: none; text-indent: .5in;"&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: 200%; mso-layout-grid-align: none; mso-pagination: none; tab-stops: 5.0in; text-autospace: none; text-indent: .5in;"&gt;&lt;span style="font-family: Georgia; line-height: 200%;"&gt;What experiences are revealed when human meets the unknown?&amp;nbsp; When dichotomies of the beautiful and unattractive meet what emotions surface?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: .5in;"&gt;&lt;span style="font-family: Georgia; line-height: 200%;"&gt;Through the interactions between the viewer and ceramic form, I explore the boundaries of these opposing ideas.&amp;nbsp; I produce experiences that are at once uncanny and sensual. The work incites the feeling of something being familiar yet foreign, strange yet comfortable, attractive yet repulsive.&amp;nbsp; It stimulates a discovery of what is perceived as beautiful within what may sometimes be unsettling.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none; text-indent: .5in;"&gt;&lt;span style="font-family: Georgia;"&gt;My anthropomorphic ceramic sculptures have strong references to the body and skin, which have the ability to be both beautiful and grotesque. The surfaces are smooth and sensual.&amp;nbsp; However other elements such as installation, mixed media, or the form itself, sometimes upset their appeal.&amp;nbsp; My forms are awkward within the intimate relations developed with the audience, or within themselves.&amp;nbsp; In consequence my work evokes a complex response of physical and emotional irritation.&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 200%; text-indent: 11.6pt;"&gt;&lt;span style="font-family: Georgia;"&gt;The desire for clay in my work comes from the many underlying references to the human body.&amp;nbsp; At a leather hard stage clay embodies the surface of smooth skin.&amp;nbsp; It also stretches, folds, sags, and the surfaces can be treated to feel and look both hard or soft.&amp;nbsp; The human body offers me a sense of obscurity where fragments are abstracted in transformation. &amp;nbsp;Resulting in raw ambiguous details that arouse contradictory feelings and discomforting situations. &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;link href="file://localhost/Users/andyhoeppner14/Library/Caches/TemporaryItems/msoclip/0/clip_filelist.xml" rel="File-List"&gt;&lt;/link&gt; 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